Herbert Hamak: The Judd Influence

Starting in the early 1960’s, the Minimalist period was characterized by unitary objects with geometric forms and patterns, in which industrial materials were often incorporated, blurring the boundaries between painting and sculpture. The movement, born from the Abstract Expressionism, attempted to avoid metaphorical associations and symbolism. From Dan Flavin to Carl Andre, the minimalist style […]

Caroline Mesquita: Dialogue of Materials

The young French artist Caroline Mesquita’s practice unfolds as she works with raw materials that offer the possibility of transformation. Bending
copper sheets and adding to oxidized plates is a technique which has been performed throughout the majority of her career as she is able to recompose a narrative in the shape primarily of human forms. […]

Ed Atkins: Data Rot

Any resurgent interest in abjection in contemporary art might correspond with the ubiquity of an experience mediated by technology – an experience wherein vast swathes of the world are calmly abjected with a swipe of the finger, made to disappear over material distances that are collapsible solely by those technologies that rendered them there. This trajectory […]